It was in that haunted mansion that Abe Cunningham stabbed a double-ended knife into the fireplace that acted as a headboard for his bed, just to be cool. 3. 6.  The closer, "Pink Maggit" is a bleak and moody song with a whispered melody from Moreno, concluding with a final explosion. I just hit that fucking knife, that goddamn knife!’ And I froze up. So the way you hear the song on the record is pretty genuine to the way we wrote it, where we trade lines. The song deals with a youthful romance coming to an end. There’s a lot of stuff on this record that people are going to question me about, and I can just remove myself from it. “Stephen (Carpenter / Lead Guitarist) played such a huge part, it was a signature part of our sound, and people said he wasn’t involved.  "Passenger" features a guitar intro and vocal interplay between Keenan and Moreno alongside piano and keyboard lines, leading to heavy guitar that introduces the choruses. Dick especially noted the album's "shift into the heavy post-rock, shoegaze spectrum" and contended that, within the span of five years from the band's debut album to the release of White Pony, Deftones had distinguished itself as a band "whose sound no longer fit too comfortably under any genre-specific title". 7. “It had these crazy little mini doors and Scooby-Doo bookshelves, and it was haunted as hell,” he insists. "Change (In the House of Flies)" was the album's lead single, and became a radio hit. Sorry, your blog cannot share posts by email. “For sure, I’m happy to be able to be part of that, and if we can help anyone through whatever they’re going through and bring a bit of excitement into the world, then I’m all for it – so we’re more than thrilled to be able to bring some kind of joy to people’s lives.”. When you listen to Ohms, do you ever think what Chi would have thought of the record? Look where we're sitting.' Late Stone Temple Pilots singer Weiland, who had just served time for violating probation for heroin possession, sang backing vocals on Rx Queen. “The whole [issue] was that it was never completed, and honestly there’s so much attached to it. The album includes two successful singles ("Change (In the House of Flies)" and "Back to School (Mini Maggit)"), the promotional single "Digital Bath," as well as the 2001 Grammy Award-winning track for Best Metal Performance, "Elite". In 2011, Complex Media Network's music website, Consequence of Sound, honored White Pony on a "List 'Em Carefully" installment dedicated to writer David Buchanan's top 13 metal records released between 2000 and 2010, noting that Deftones was one of several acts who "helped usher the popularity of complex structure meets MTV audience". England and Wales company registration number 2008885. Drummer Abe Cunningham is simply happy to still be making music with his best mates, and stunned to be celebrating twenty years of White Pony. All rights reserved. It’s a total Weiland harmony, something I wouldn’t think to write.”, Tool singer Maynard James Keenan had been present when Deftones wrote the nocturnal Passenger in 1999. “We were all there, and present, it’s not like one person was writing the songs – it’s a band thing and always has been. Personnel adapted from album liner notes. We were really just focusing on trying to be friends and brothers again, after going through a bunch of stuff – as humans and as people, as bands tend to do at that point in our career. This, along with the red and black versions, were the properly sequenced version of the album as the band intended. Relocating to Hollywood’s Larrabee Sound Studios for mixing, they took up residence in a mansion Abe says was previously owned by rock’n’roll icon Chuck Berry. Because of that I sing it in first person. But yeah, I’m sure he’s judging us somewhere, and that’s alright.”, Deftones’ Ohms is out tomorrow via Warner Records. Skating was such a priority that the band even measured how much space they needed to get their road-cases through, and only allowed an extra inch on each side so they could make the ramp as big as possible. Deftones originally conceived of doing a remix album prior to the recording of White Pony and had reached out to DJ Shadow to remix the entire album himself.
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