You don’t see them for who they are now, rather for who they were emoting. In the end, this documentary shows that it is not about what you wear, what you look like, what you do, or who you love. It is about who you are and it was refreshing to see that they were proud of it all. What you said about the Aggressives, that they didn’t have a time stamp on it so that people can have a better perspective on the documentary. Very interesting analysis. It also better helps you focus on their story rather than their ethnicity and or their sexual preference. The emphasis on leaving out space and time felt like a device to make this identity (or the idea of creating a new identity) relatable to a larger group of folks. Reviewed in the United States on February 26, 2008. Well I finally bought it when I learned that it was on DVD. Reviewed in the United States on March 19, 2019. Filmed over five years in NYC during the late 90's and early 00's, the featured "Aggressives" share their dreams, secrets and deepest fears. I really liked the way you linked “human nature” which bases all that we see and experience and theorize through all that we have seen, learned, experienced, and theorized previously. It’s very lucid and it helped me better understand the point that Keeling makes. I viewed the label of Aggressive of being more of a dominant mindset in relationships more than anything else. Reviewed in the United States on November 3, 2006, The director spent five years on this documentary and it shows. The other actors, such as Jo Yi-jin (Han-ju), weren’t so stellar. It also analyzes reviews to verify trustworthiness. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: Brandon Cronenberg’s ‘Possessor,’ Eva Green in ‘Proxima’ and More, This Week in Movie News: Patrick Wilson to Direct ‘Insidious 5,’ Ben Wheatley to Direct ‘The Meg 2’ and More. To better understand the modalities of storytelling, Keeling references three different films that hope to provoke a break from the historically created contemporary conceptions of race and sexuality. To the outside world, it is hard to understand. From an educational standpoint, it allowed the world to see that these people do exist, they have a right to exist and their lives are not walk in the parks but they feel that their struggles are worth it.
I got it within 4 days, and ripped open the packaging when I got home from work. The one highly overweight woman (her name escapes me) I kept looking at her trying to figure where anyone would "mistake" her for a man. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. Earn 125 points on every ticket you buy. Where can i watch the 2006 documentary "The aggressives" online for free? Jayme Jackson says: May 21, 2015 at 8:28 am I appreciate your analysis of this reading since it was a bit difficult to get through … It only touched lightly.
As I saw it, I was more of a "butch" than they were.
A girl, who looks like a boy, who dates girls. Perhaps the person documenting the story wanted it to remain timeless to leave doors open for other stories to be inspired by this community. They also struggle with the limitations of adhering too closely to the label. I found this post to be an interesting read and aided in my understanding of how the readings linked with the films. “It is through the term The Aggressives – rather than gay, lesbian, queer, transgender – that the audience is able to create their own thoughts on the women without the how and why a type of people could exist.” I think there was something to that…to removing the film from familiar labels and putting forth “Aggressives” so that we, as an audience, can formulate our own thoughts without influence from our own internal dialogue or even popular culture’s perpetuated stereotypes on the LGBTQ community. Throughout the movie the women try to define what "an aggressive" is, but as often is the case in areas of subcultures, there is no defined or obvious answer. Keeling’s paper is dense with concepts concerning how society views the world, but also the ways in which we can effectively rewrite ideology in the future. He was sick of chasing down co-workers for information they promised to get him weeks ago. Other labels (gay, lesbian, etc.) However, each of the women defines and utilizes the term "aggressive" slightly differently. 7-16- Margarita Miglio. The movie has its good points and some bad points. Hey! Its just not happening, she has so many womanly facial features. Video availability outside of United States varies. ( Log Out / Although in the film I did feel a little bias’ by the director in my opinion. To be honest when watching the Agressives I had no idea why they couldn’t just call themselves butches or transgender or lesbians, but now I see its a whole nother identity these women want to associate themselves with. Keeling’s argument supports that all three films are experimental in their ability to affect. She makes extremely well thought out arguments for the advantages and disadvantages to telling history in a way that makes sense to an audience by recalling the past to simplify concepts in the mind, and also creating entirely new concepts that will be better understood in the future.
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I understand this doc is decades old but this documentary didnt give me enough insight into the communities. I was fascinated by this documentary and have watched it twice. As a heterosexual woman that is open minded and interested in learning at least a little bit about everything I can, this dvd was interesting, entertaining, educational and eye opening. Change ), You are commenting using your Twitter account. Sign in to see videos available to you. I felt who they chose and how the women interacted were a little problematic.
AG's cross so many economic and sociological boundaries, that is hard to strike a balance. 7 août 2013 - Cette épingle a été découverte par Léanne Bourguignon. NOT VERY PLEASED. Labels are often dangerous and limiting to an individuals identity due to the fact that they are constantly being judged by their label, and may also limit themselves because of the label they choose to use to identify themselves. By Chelsea Trillo, Week 9- 4/2/15: Bodies in Motion: Lesbian and Transsexual Histories-Sarah Mohn, Week 13, 04/30/15 Hedwig and the Angry Inch and Gender Without Genitals, Kat Kirkeby, Week 12 5/23 The Critical Resistance, Incite! The weight of this burden juxtaposed against the exhilaration of loving the feminine female results in an apparent vulnerability that is captured well by D. Peddle, the director.
Reviewed in the United States on July 18, 2008. Looking for movie tickets? We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. IRONIC BECAUSE IT WAS CLEARER ON YOUTUBE WHEN IT WAS FREE. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Select the department you want to search in. But something like “Aggressive” is more of a description of your behavior rather than a sexual orientation or a gender identity. I like what you said about how the label of being “Aggressive” leaves it kind of up in the air about what it actually means. An insightful exposé on the subculture of trans men, lesbian "butches" and their "femme" counterparts who tow the line between gender definitions. The first film, Looking for Langston, is a film that presents temporality of thinking by looking to explain the “desire” of homosexuality. Kudos! I think that a lot of documentaries should do this totals the focus off of the negative and give little room for judgement. This documentary takes a strong look at what their lives are like on a daily basis. One of the things that I really enjoyed about The Aggressives was that the documentary left the interpretation of the term up to the viewers. In order to understand what Keeling explains in higher density is multiple layers of theory on the telling of history and how history can validate current social constructs, but also how the particular telling of stories can allow for concepts and ideology escape from us to be later understood. “Use past experiences and history to formulate a background embedded with the current socially constructed views.”.
Everyone’s mobility is impacted by labels you choose to associate yourself with, starting the documentary off with no expectations opens the viewer up to other identities. As I saw a few of those being followed as totally not true to what they were claiming. It is worth viewing more than once, Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Fandango helps you go back to the movies with confidence and peace of mind. Rack up 500 points and you'll score a $5 reward for more movies. Please help me out with somewhere to watch it ! Quickly browse titles in our catalog based on the ones you have picked.
At first view I saw the movie as, yea I'm going to see a bunch of manly looking women, a bunch of touch-me nots (possibly), but instead I see just women. Enter your email address to follow this blog and receive notifications of new posts by email. I had heard a lot about this movie. No workplace is perfect, but it’s difficult to perform and feel your best when there’s dysfunction all around you. THE VOLUME WAS VERY LOW AND THE PICTURE WAS EXTREMELY BLURRY. Yes, all of the people in The Aggressives identified as lesbians, but I’m not entirely sure that that’s a requirement. are often too limiting or restricting on what you can and cannot do. Gender, Sexuality and the Politics of Mobility.
These young women -- individuals all -- allow us a look into their turbulent lives.
Was told that it was powerful and was a must see. I also liked that you left the label Aggressive more open. To simplify this concept as much as possible, it can be explain as such: it is human nature to communicate ideas to others by first referencing to something they are already know to make sense of the “why” and “how” that thinking came to be.
Not ok. Although this is a tactic used because humans are more receptive to this type of material, it is also human nature, when comprehending new ideas, to use past experiences and history to formulate a background embedded with the current socially constructed views. The other women seemed quite sure of who they were, it was just a matter of mastering and conquering it.
It jumps from person to person, showing you little glimpses into their lives. I appreciate your analysis of this reading since it was a bit difficult to get through certain parts because of the wording.
What The Aggressives does is tell the story of queer women as The Aggressives with no concept of space and time to leave what Keeling refers to as, “leaving on the cutting room floor everything that does not ‘further the action.” By leaving the location and time out of her story, it allows the audience to hear The Aggressives tell their story without a preconception of what they are and what they came to be. Making sense of these three films and their advantages and disadvantages is difficult without going into too much summary from her perspectives on the films. I see more each time i watch it. There's a problem loading this menu right now. As someone who depends on access to the US and other countries … movie theaters are playing The Aggressives near you. Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. Sort of. They also struggle with the limitations of adhering too closely to the label. From the interesting standpoint- it kept moving. Reviewed in the United States on December 7, 2008. To be honest when watching the Agressives I had no idea why they couldn’t just call themselves butches or transgender or lesbians, but now I see its a whole nother identity these women want to associate themselves with.-Anaszsa Thompson.
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